Norman Gee--Part 6 (3:26)

Central Works Theater Ensemble of Berkeley is referenced in this segment.

San FranciscoBay Area Theatre: A Portrait of Myopia and Its Consequences
Part 6 - Very Close to CD-Quality MPEG-4 (Broadband) (4.9M)
Part 6 - High Quality MPEG-4 (ISDN) (2.5M)
Part 6 - Highest Quality MPEG-4 available for Dial_up (1.5M)

Norman Gee--Part 5 (6:28)

In this segment two performing arts companies are referenced; Word for Word and Thick Description, as is The Bay Area Playwrights' Festival. Also referenced is the children's book, The Wind in the Willows.

The Future: Hosting and Regionalism
Part 5 - Very Close to CD-Quality MPEG-4 (Broadband) (9.1M)
Part 5 - High Quality MPEG-4 (ISDN) (4.6M)
Part 5 - Highest Quality MPEG-4 available for Dial_up (2.9M)

Norman Gee--Part 4 (7:05)

In this segment, Gee talks more about breaking out of stereotypes. He talks about producing Thorton Wilder's The Long Christmas Dinner. He also references August Strindberg, Henrik Ibsen, Noh Theatre and Suzan-Lori Parks 365 Days/365 Plays.

Breaking Out Of Stereotypes
Part 4 - Very Close to CD-Quality MPEG-4 (Broadband) (10M)
Part 4 - High Quality MPEG-4 (ISDN) (5.1M)
Part 4 - Highest Quality MPEG-4 available for Dial_up (3.1M)

Norman Gee--Part 3 (6:14)

In part three, Gee starts by explaining the impetus for starting the Oakland Public Theatre. Next he tackles the thorny issue of ethnicity in theatre in the Bay Area. He mentions Shotgun Players, California Shakespeare Company and African American Shakespeare Company.

Part 3 Ethnicity and Theatre
Part 3 - Very Close to CD-Quality MPEG-4 (Broadband) (8.8M)
Part 3 - High Quality MPEG-4 (ISDN) (4.5M)
Part 3 - Highest Quality MPEG-4 available for Dial_up (2.8M)